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Stanley Kubrick between painting and film

Stanley Kubrick between painting and film

STANLEY KUBRICK BETWEEN PAINTING AND FILM (Serbian Film Center)

It is important to note that the text represents a work on a multiple researched topic, and that it successfully offers a possible new insight into Stanley Kubrick's work, first of all through the thesis of the inextricable connection between immobile artistic representation and moving film images, i.e. the idea that only through the process of their confrontation, one can come to a true understanding of Kubrick's art. The detailed research work contributes to the validity and suggestiveness of the author's evaluations, while the exceptional style in which the text is written makes the book extremely interesting to read.

Dr. Simona Čupić

With the education and experience of an art historian, who with the necessary seriousness and responsibility enters the territory of another, specific medium, Dijana Metlić was able to move without difficulty through the interesting problem contents of a part of Kubrick's opus by the interactions of painting and film, by presence and functions of images and pictoriality in the film fabric. It is a manuscript that represents a valuable and encouraging contribution to the interpretation and understanding of a multi-meaningful and unique, distinctly authorial film speech.

Prof. Dr. Slobodan Mijušković

Dijana Metlić was born in Belgrade. She received her doctorate on the work of Stanley Kubrick in 2012 at the Department of Art History of the Belgrade Philosophy Faculty. She is a professor of art history at the Academy of Arts, University of Novi Sad. She published numerous scientific works on fine arts, film, photography and wrote four monographic studies. She explores painting, photography and film based on examples of European and American art.

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